Tuesday, September 29, 2009

My paper!

Check out the isim.nl website at the bottom for more information about councils!
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Blood Feuds in Aunt Safiyya and the Monastery Mimic Life

While reading Aunt Safiyya and the Monastery, there were many issues that stood out. I was especially captivated by the familial interactions, and the ways in which a family that was once so close can be quickly torn apart. For many people, it may be hard to understand how a family can be so quick to judge another, to demand blood for an alleged wrong. That is, until one understands the concept of vendettas - or blood feuds - which have existed in Upper Egypt as well as many other regions around the world for centuries. Despite the country's best efforts, the vendetta system still has a strong hold in rural parts of Egypt, and many go unreported as families believe it is a local matter and not a concern of the government. Under this context, it is easier to understand the desire Safiyya would feel to see justice carried out by her own son, rather than seeking appeal to the court system.

Vendettas have always existed throughout history, not just in the Middle East, but all around the world. I feud may start over a simple argument, but continue to escalate until a family believes there is no solution other than to take the life of a member of the other family. Blood feuds have especially been a problem in recent times in rural parts of Upper Egypt, where the central government has trouble controlling the villages because of their locality. This is why we also see the appearance of The Outlaws. There is simply not enough government control to reach all these small, remote places. In the case of Aunt Safiyya and the Monastery, tensions seemed to already be on the rise when Harbi came with the bey to ask for Safiyya's hand. It had always been assumed that she would marry Harbi, and I think that a part of everyone was hurt in one way or another by her marriage to the bey. Safiyya proves herself to be a bit of a loose cannon, when rumor are spread that Harbi wants to kill her newborn son and she throws herself into the gossip completely. Blood feuds almost always involve men, and Safiyya knows she is at virtually no risk as she spreads the lies around. The responsibility of maintaining a vendetta is almost always that of the closest living male relative, in this case Safiyya's son Hassaan.

Also according to the rules followed in a feud, if a person is unable to carry out the vendetta because of the death or disappearance of the accused, the man carrying out the vendetta can target the next closest member in the family. In the case of Aunt Safiyya and the Monastery, this would probably be the narrator or his father. Is this the reason we learn that they have ended up all leaving the village? Of course, we also learn that one of the narrator's brothers is working for Hassaan, so this does not seem likely. But the fact that they all ended up leaving  should not be seen a mere coincidence. A feud does not end with the death of the accused, but instead must now be carried out by the other family, and can extend until it has captured the lives of an entire community. Perhaps other villagers would begin to feel it was their responsibility to see to the vendetta, after all, the narrator does tell us at one point that everyone in the village is related in one way or another.

A huge story out of Upper Egypt which occurred on August 10, 2002, happened when a family known as the Hashanat were attacked in their village, leaving 22 men dead. The Hashanat family had been in a feud with the Abd al-Halim family since two children from each family had fought at a wedding more than ten years before. The fighting escalated until members of both families had been killed by the other. These revenge killings eventually led to a trial for the two Hashanat family members involved in one of the killings, but a car carrying family members to the ambushed on their way to the court date, resulting in the massacre. While the blood feud between families is, sadly, not unusual, what was unusual was the large number of people killed in one incident. For this reason it grabbed headlines around the world. However, learning about events like this make it easy to understand why the narrators family is so fearful from the beginning when the rumors first start to circulate. It is not just paranoia to worry that a small incident could turn into a horrific massacre.

Another example of an actual vendetta carried out in Egypt in a similar style can be found in an article dating from 2005, in which a farmer from the town of Dar Al-Salam was killed by five men in front of his wife and teenage son. He was a member of a clan known as the Hababza clan, which had been in a long feud with a clan known as the Barawra clan. The victim had done nothing wrong other than being a member of the wrong clan. He was walking home with his family at night at the time of the incident. In this aspect, it is probably easy for Americans to understand clan vendettas in comparison to current gang activity, or when compared to mafia activity such as that of Al Capone, or fictionalized in movies like The Godfather. A famous example stemming from the United States is that of the Capone-Moran gangs and the St. Valentines day massacre, in which seven men were lined up and killed. It was a retaliation killing for an attempt on a member's life.

Even more related to the plot of Aunt Safiyya in American culture is blood feud between that of the Hatfields and McCoys.  A member of the McCoy family was murdered after returning home from the Civil War for having joined with the Union Army. The feud escalated despite intermarriage in the families. From 1881 to 1891, it is believed that more than a dozen people on both sides were killed for the purpose of vendetta. Retaliation murders happened in both families, until the McCoys were forced to leave the area to escape the raids that were happening on their properties. The case eventually made headlines all over the United States, and even caught the attention of the Supreme Court. Eventually eight men from the Hatfield family stood trial for the murder of a McCoy woman killed in one of the raids, known as the New Years Massacre. They were all found guilty and given life sentences, and one member was hanged. This is seen by many as the last great family vendetta in the United States, although many have been reported in Appalachia throughout American History.

Today, the government of Egypt as well as it's citizens have done much to try and eliminate blood feud killings. On a day-to-day level, it is expected that if an argument breaks out in a public place, a person will step in to try and defuse the anger and resolve the problem. Elders who are influential in the community are often called on to help settle disputes between families. However, in the case of Aunt Safiyya and the Monastery, it is the villagers themselves who start the ball rolling in the feud, and one of the elder highest officials in the village - the bey - is involved in the argument. Perhaps this is why it escalated so quickly; with no one in the village to stand up to the families and help dissolve the conflict, it grows to a level where no one is in control. We do see some villagers trying to help Harbi when he is cornered by the bey in the field, but all they can do is send for the narrator's father, and are helpless against the bey and his armed guards.

Another way these arguments can be settled, although not mentioned in the book, is by council. Across Upper Egypt, councils based on tribal traditions rather than on state or sharia law are used to settle disputes among villagers and families. People who are in a traditional dispute can seek the help of these councils, which are often composed of elders and sheikhs. In a case like that of Aunt Safiyya and the Monastery, Harbi would have still been sent to a regular state court for sentencing, but when he was released he would go before a blood feud council in the village, instead of being hidden away in the monastery. The council would hear arguments from both sides, and then try and reach a settlement between the two in order to prevent further killings. After an agreement has been reached, the two parties must embrace and then statements are made concerning reconciliation, religion, and why it is important to avoid an on-going vendetta. These councils are highly respected throughout Egypt, and provide an indispensable service to the rural areas. Somehow, however, I cannot see Safiyya agreeing to go before such a council, so strong is her blood lust.

When the subject of vendetta and blood feuds quickly became a central theme of Aunt Safiyya and the Monastery, I at first had trouble wrapping my brain around the idea of killing just to get revenge. When anyone is angry, it is easy to imagine taking one's revenge on another, but it seems to rarely happen except in cases that end up on the national news. But after talking in class about the subject and completing research, I understood that it is not only about revenge, but also deeply rooted in tradition, which can be even harder to shake than feelings of anger and vengence.


http://www.isim.nl/files/newsl_13-12.pdf
http://en.wikipedia.org/wiki/Hatfield-McCoy_feud
http://weekly.ahram.org.eg/2005/739/eg3.htm
http://www.statemaster.com/encyclopedia/Feuds


Thursday, September 24, 2009

Divorce and Year of the Elephant.

The title story from Year of the Elephant revolves around a woman coping with a divorce from an unloving husband. Despite this, the divorce comes as a shock, and she must learn to cope with what little she has left. Luckily in Islam the Prophet Mohammed spoke of divorce and set aside allowances for women that were not there before. Before the Prophet, divorce was in some places was illegal, while in others a man could leave his wife with nothing. But after, it became legal to divorce, although it was still seen as a terrible thing, and a last resort. In marriage, a woman gets to retain all the property she owns, and it belongs only to her and not her husband. Because of this, the narrator of Year of the Elephant is able to return to her hometown, where all she owns is a room. She is in shock from the divorce, and thinks repeatedly of her husband saying to her, "Your papers will be sent to you along with whatever the law provides." While this ends up being very little, and is still unjust, it is important to recognize that Islam was once revolutionary for setting aside these things for a divorced wife.

The Prophet Mohammed had said, "Among lawful things, divorce is the most hated by Allah." I really like this statement, because I think all people should think of marriage in terms similar to these. Whether a person believes in God or not, marriage should be seen as a life-long commitment. The important thing to recognize in the Prophet's statement, is that it is still legal. When you think about it, most things that are seen as bad in any culture are often illegal. The fact that Islam recognizes that problems can arise that make staying together impossible is very forward-thinking. Some of the reasons that are widely accepted as reasons for divorce are: infidelity, abuse of any kind, or refusal to fulfill marital duties. The last of these can be anything from refusal to work and support the family to refusal to "share the marital bed." This however, is not considered a valid reason if it is impossible due to physical limitations. There are, of course, exceptions to these rules, and women have been divorced for reasons beyond their control, such as being unable to have children.

Many people have heard of the notion that in Islam a man only has to say "Talaq" or "I divorce you," three time and a woman has no other choice in the matter. While this practice still exists in some places, it is seen as wrong and often condemned. Many countries, including Turkey, Tunisia, Algeria, Iraq, Iran, Indonesia, and Bangladesh have banned the practice completely. Other countries have governmental systems established to try and help people save their marriage, and a trial is necessary to receive a divorce.

Divorce laws in Islamic countries are changing and evolving all the time. I think it is important to remember that most people and their governments only want the best for women living in their country. Today in Morocco, where Year of the Elephant takes place, a woman by law no longer has to obey her husband, although divorce is still seen as shameful. However, in other parts of the Western Sahara, divorce is seen as a happy thing for women, and carries little to no stigma. Many men are happy to marry a divorcee, believing that she is "more experienced and sure of herself." For them, the new laws of Morocco, which govern them as well, are seen as a step back, not a step forward. Now a woman cannot divorce her husband without appealing to the courts, whereas before she had only to get a letter from an Islamic official.

http://www.religioustolerance.org/mohd.htm
http://muslim.families.com/blog/divorce-in-islam
http://news.bbc.co.uk/2/hi/africa/3532612.stm

Tuesday, September 22, 2009

Independent Reading

I just started the book that I am reading independently last night, thanks to Amazon/UPS taking their sweet time to get it here, but so far it is very interesting. It is called Year of the Elephant: A Moroccan Woman's Journey Toward Independence and was written by Leila Abouzeid. It was first published in English in 1989. What makes it unique is not only that it is written from a woman's perspective, but it is one of the first books to be written in Arabic and translated into English to come out of Morocco. Most books that come from Morocco are written in French, due to the fact that Morocco was a French colony until the 1950's, and most elite schools still use French as the language that literature and writing are taught in. However, Abouzeid went to a school that taught both French and Arabic, and chose to write in Arabic for personal and political reasons. Year of the Elephant is actually the title of the novella which begins the book, but it also contains eight other short stories, ranging in themes from "A Vacation" to "Divorce". The entire book is less that 100 pages long, and I am sure I will tear through it as fast as I did Aunt Safiyya.

Aunt Safiyya and the Monastery

Despite what I gather from some other blogs, I thought that Aunt Safiyya and the Monastery was a very interesting, unique book. Although it was a short read, it kept me wondering what was going to happen next, and I finished the book in two sittings. The relationships between the characters was complimented by the scenery, and I appreciated the sometimes lengthy descriptions the author used to set not only the physical but also emotional tone of the story.

The relationship between the narrator and his father was especially interesting. His father brought him along on many of the important events he had to attend to, including bringing Harbi from the train station to the monastery and meetings with the outlaws. These things may seem like dangerous or complicated events to bring a child along, but his father trusts him and feels its important to include him in the happenings of their family and the village. I never got the feeling that the father distrusted his son, or that he was irrationally angry with him. They appeared to have a complex, deeply connected relationship, and I appreciated that in the story.

Others complained that the other characters in the novel, particularly the mother and her daughters, seemed stereotypical or one-dimensional. While at times I would have to agree and say that I also found it frustrating, I think that it may have been a choice by the author to write about them this way, not because they are women, but because they are just a step above the other villagers in their importance to the story. While it is important to see the reaction of the mother towards Safiyya and her family, as well as the daughters reactions, I believe the central theme centers more around the father-son relationship and what he learns from his father.

Finally, I would like to address the Epilogue. From a purely inquisitive standpoint, it was nice to know what happened to Safiyya, Bishai, his sisters, and the rest of his family, I thought most of this chapter was unnecessary. It might be satisfying to know what happened to all the characters, but I feel like the novel was over with the death of Harbi. The reader could have probably figured out on their own what was going to happen to Safiyya, and the other characters lives, while interesting, really aren't that important to the overall story. Whenever I read an epilogue like this one, I can't help but thin about the end of bad teen/college movies where we get a cute little summary of each character's life under a freeze-frame shot of them laughing and having a good time. Like I said, it is interesting to know, but kind of feels like the easy way out.

Tuesday, September 15, 2009

WMU Events!

Last year I had the privilege of attending "Why I am Still a Muslim," put on by the Muslim Student Association along with the Arab Student Association. It was an amazing evening, featuring a key speaker talking about his life as well as answering questions posed by the audience. There was also delicious foods,  a prayer, as well as relics and information from the Muslim faith. I believe that this year it is going to be November 20, and will post more when I get more information.
Until then check out the information below about last year's event.


http://www.msa-wmu.org/
http://video.google.com/videoplay?docid=1306423996599197652#docid=-916558810431852832
http://www.wmich.edu/wmu/news/2008/11/015.html

Thursday, September 10, 2009

"Reel Bad Arabs"

How sad that the idea of Arabic people in American Cinema is limited to that of the villian. We have actually come to expect it in the big action movies: Arnold Schwarzenegger overpowering the weak and clumsy, Harrison Ford outsmarting the simple and inept. But it is surprising how deep the stereotype runs. Who thinks of Steve Martin in Father of the Bride 2? Or Aladdin for that matter? It's almost a defeating feeling to realize that a movie that you could recite as a seven year old - could still sing along to the all songs - could be so offensive. First reactions may be to ignore it, or to deny that it is there. As a child, I had pajamas that were gauzy and loose-fitting except at the cuffs - I called them my Jasmine pajamas, after the female heroine of the movie. And this may lead you to think - as I did - is this a movie that I can show my children someday? It's like running into an old friend and hearing them spew racial slurs. But this is a person I once loved dearly, do I now want to write them out of my life?

It is also important to recognize that although Hollywood is responsible to some degree, the blame needs to be placed on many other sources. Educators need to do more to teach children about this rich culture, not just teaching them about the terrorists attacks and burkas. The government must make it clear to all their citizens that Arab- and Muslim-American deserve the same treatment as everyone else, and encourage them to learn more about the culture. Perhaps most important to dispelling stereotypes is the role the media plays. If the only images the national media presents Americans with are of  terrorism, repression, and turmoil, is it any surprise it is what comes out in our entertainment?

http://www.ew.com/ew/article/0,,1202224,00.html
http://www.nytimes.com/1993/07/23/opinion/l-change-in-aladdin-lyrics-looks-like-cowardly-censorship-165093.html